The House That Wheeps
Bullied - Haunted - Awakened
Supernatural Horror Feature Film
The forest weeps for the broken
The story and it's themes
The story centers on the psychological and emotional impact of bullying and familial abuse, and how these experiences can deeply scar an individual.
The singular philosophical point being conveyed is that true empowerment comes from confronting one’s fears and reclaiming control over one’s own narrative, regardless of past trauma or external cruelty.
Through Mel’s journey, we learn that standing up to abuse—whether from family or external forces—requires both internal strength and the ability to break free from the victimization imposed by others. The supernatural element serves as a metaphor for the way trauma haunts, but also for how one can transform that pain into power. The story underscores the importance of breaking cycles of abuse and finding the courage to no longer let others define or control your self-worth.
It is about the choice between remaining a victim of your past or seizing your future by facing your deepest fears, no matter how overwhelming they seem.
Sizzle Reel
Characters
Mel (14)
Mel is an introvert, isolated, shy, and emotionally reserved. She’s a loner by nature, misunderstood by those around her, and often underestimated due to her quiet demeanor. Mel’s intelligence is her strength, but her constant bullying by her older sister has made her retreat inward. Mel wants nothing more than to feel loved, yet she struggles to find her voice in the face of relentless emotional abuse. Beneath her reserved nature lies a quiet resilience and strength.
Eva (19)
Eva is rebellious, bitter, and cynical, particularly confident, manipulative, and the quintessential prom queen. She’s attractive and uses her beauty and charm to get what she wants, but beneath the surface, Eva is lazy, shallow, and cruel—especially toward her younger sister, Mel, whom she constantly bullies. Eva blames the tragic death of their mother on Mel. She’s the kind of person who always gets her way, rarely facing consequences due to her charm and social status.
Lauren (19)
Eva’s best friend and confidante. While not as sharp as the others, Lauren has a quiet awareness of right and wrong but lacks the confidence to stand up to Eva. Lauren is deeply insecure, always seeking validation.
Nick (21)
Nick is an intelligent, grounded young man. Nick shows moments of compassion toward Mel. However, his weak character and the fear of being politically incorrect boost this weakness, making him lose control of his emotions.
Oliver (19)
Typical high school jock. He’s brash, cocky, and rarely takes anything seriously. Athletic and self-assured, he’s earned a sports scholarship, which adds to his ego: his carefree mentality and lack of depth is disguised by a “hero wannabe” attitude
DAD
Mel and Eva’s father is an emotionally distant man in his mid-40 to early 50s. Ever since the death of his wife, focusing almost exclusively on his work, he often neglects emotional engagement with his daughters. He sees Mel more as a duty than a child to nurture.
Marketing Strategy
The primary audience for horror films is the 18-35 age group, particularly younger adults who enjoy thrill-seeking entertainment. This demographic is also likelier to engage with horror content that blends supernatural elements with psychological depth.
Social media will be a primary marketing tool (including Instagram, TikTok, Podcasts). Secondary tool will be TV news, radio and local communities centers.
By targeting these demographics and employing a multi-faceted marketing strategy, the film can effectively reach its audience, build anticipation, and position itself as a must-see horror event.
Gender: Slightly Female-Skewed
• While horror appeals to both genders, the film’s themes of female empowerment, revenge, and the younger sister’s emotional journey may resonate slightly more with female audiences. However, the intensity and supernatural aspects will still attract a broad audience, including male viewers.
Horror Enthusiasts
• Fans of supernatural horror, psychological thrillers, and revenge narratives will be particularly drawn to this film. The unique twist of young female spirits aiding in a fight against oppression adds a fresh angle that could appeal to seasoned horror fans looking for something new.
Young Adults and College Students
• This group is often drawn to horror films, especially those that feature relatable characters like young women facing personal and social challenges. The film’s bullying, revenge, and empowerment themes align well with issues that resonate with this demographic.
Fans of Female-Led Stories
• The strong focus on female characters and themes of overcoming adversity and reclaiming power will attract audiences who appreciate female-led narratives in horror.
1. Social Media Campaigns
• Teaser Trailers & Short Clips: to create a series of short, suspenseful clips and teasers that highlight the film’s tension, supernatural elements, and the eerie atmosphere of the cabin. With a focus on building intrigue around the doll, the younger sister’s connection with the spirits, and the escalating danger.
• Character-based content that delves into the backstory of the young girls and the younger sister. Use social media platforms like Instagram, TikTok, and Twitter to share “diary entries,” “found footage,” or “haunted” content that ties into the movie’s narrative.
• Hashtag Campaign: Use a memorable and spooky hashtag (e.g., #DollsRevenge or #GhostSisters) to encourage user-generated content, discussions, and fan theories.
2. Influencer Collaborations
• Partnership with influencers in the horror community or those who focus on supernatural content to promote the film. This could include early screenings, exclusive interviews with the cast and director, or participation in genre-themed events leading up to the release.
4. Horror Film Festivals
• Premiering the film at horror-focused film festivals offers an opportunity to generate positive word-of-mouth and critical acclaim early on.
5. Engage with Female Empowerment Themes
• Positioning the film as a story of supernatural revenge and female empowerment, tapping into current cultural conversations about bullying, abuse, and resilience. Partner with organizations or movements focusing on these issues to create content or discussions aligning with the film’s themes.
Producer / Writer - Yulia Arispe
Yulia is an American-Venezuelan producer with a Russian heritage. She discovered her passion for storytelling and filmmaking early and immigrated to the United States due to political instability in Venezuela.
After earning her first MFA from the New York Film Academy in Miami and driven by her dream of becoming a storyteller, Yulia moved to Los Angeles, graduating with honors with her second MFA in Producing.
She has directed and produced numerous films, which have been screened and awarded at several prestigious film festivals. Recently, produced by her drama Lost in Memories won the Immaculate Heart Award at the LA Shorts FF.
In June 2024, Yulia was awarded a WomenInFilm 2024 Fellowship in Physical Production.
Yulia is committed to creating films that entertain, deliver powerful messages and challenging perspectives, and contribute to a better world through the art of storytelling.
Producer - Tracy Keshek
Tracy Keshek is a Producer and Co-Founder of Red Siren Entertainment. Originally from the San Francisco Bay Area, with a background in business and photography, Tracy began her career in the entertainment industry as a Talent Manager. She attended UCLA, studying Entertainment Business Management, specializing in Entertainment Business and Finance along with Talent Representation.
Tracy has experience in all aspects of film production, from development to post-production. She is currently producing and in development on several new TV series and feature films. Tracy has also served as a Producer for several feature films, shorts, music videos, web series, commercials, and the upcoming documentary currently in production, A Renaissance Reborn. Most recently, Tracy produced the action film S41NT starring Osric Chau, co-produced the award-winning feature film In This Gray Place, starring Phil LaMarr and Marcus Johns, the new feature film and social media mockumentary After the Reign from Yellow Tape Organization, the Facebook Watch TV series, The SetUp and most recently, has produced several music videos for the record label Empire.
Director - Gillian Smith
Gillian Smith is a Los Angeles-based director, writer, and producer with two Emmy Awards to her name. After honing her skills in the producing department at Entertainment Tonight, Gillian ventured into filmmaking following her graduation from Emerson College with a screenwriting degree. Her short film, The Stray, premiered at the 2023 LA Shorts International Film Festival, and her feature directorial debut, Burrow, is currently in post-production, slated for a 2025 release. A true horror enthusiast, Gillian has a gift for transforming stories from script to screen with a unique, cinematic edge.
Cinematographer - Yves Arispe
Yves is a versatile filmmaker with a strong focus on cinematography, photography, and film coloring, complemented by a background in psychology. He was born in Caracas, Venezuela, and discovered his passion for cinema through early involvement in the feature film “Mom, I Can Do It.” After earning a psychology degree and fleeing political unrest in Venezuela, he moved to Miami, where he maintained close ties to the arts.
As a cinematographer and colorist, Yves has shot both in digital and film and has worked on multiple projects that have been screened at several film festivals. Starting from the bottom and working in different positions in G&E taught him a holistic approach to cinematography, greatly benefiting his ability to craft visually compelling stories.
Yves made his cinematography debut during the pandemic with the short film Waters, which screened at festivals and won several awards. Since then, he has contributed to films in different genres, adding his expertise and creative touch to each one.
BM Resolve Certified Colorist
Member of the CSI – Colorist Society International
Member of SOC – Socety of Camera Operators
Risk and Confidenciality
RISK STATEMENT Investment in the film industry and the production of a motion picture is inherently speculative and risky. There is no assurance of the economic success of any film due to the fact the revenue derived from the exploitation and distribution of the picture depends upon its acceptance by the public, which cannot be predicted. The current state of the world economy and the film industry can have both a positive and negative effect on the potential success of a film. The commercial success of a film depends on both the quality and acceptance, the competing films released into the marketplace at the same time, and the general economic factors, all of which can change and cannot be predicted with certainty. Each potential investor understands and agrees that any projections, estimates, revenue models, forecasts, and assumptions are derived based on historical averages and by definition are uncertain and should not be considered a guarantee.
CONFIDENTIALITY Recipients of this document agree that all the information contained herein is of a proprietary nature and should not be shared with the public. This document in its entirety is confidential and should not be distributed without the prior written consent of Yulia Arispe.